Salomon VAN ABBE

Salomon VAN ABBE RE RBA
Jack, his book cover designs were signed J. ABBEY or, occasionally, C. MORSE.
1883
1955

Born in Amsterdam, the son of a diamond dealer, he moved to England with his family at the age of five, attending various London schools. These included Toynbee Hall, St Martin's and Kennington Art Schools, and the Bolt Court School, where tutors Walter Bayes and Walter Seymour were significant influences. He later became a British subject. Initially a newspaper illustrator, becoming well known for his drypoint etchings, he also illustrated books and designed book covers. As a painter he was best known for his portraits, and he is remembered for his etchings of the British legal system at all levels of operation.

His involvement with St Ives seems to stem from visits in the 1930s, exhibiting with STISA in 1933 and joining the Society in 1936. He returned regularly, spending part of the War there, as many of his RBA exhibits of that time were St Ives scenes. Known as 'Jack', his book cover designs were signed J Abbey or, occasionally, C Morse.

media

Newspaper illustrator, drypoint etcher, painter

works and access

Works include:  Sun and Shadow, St Ives, Cornwall (1933); The Windmill, Wenduyne (1937); Spring in Avignon; Counsel's Opinion; The Boulevard (etching); The Market Inspector

Access to Work: Book illustrations include Little Women (1948) and Good Wives (1953) by Louisa Alcott; The Wonder Book (1949) and Tanglewood Tales (1950) by Nathaniel Hawthorne; and Tom Brown's Schooldays (1951) by Thomas Hughes

exhibitions

RA (16); STISA (1) 1933; (1) 1937 Touring Show

memberships

ARE 1923; RE; RBA 1933; STISA 1936-c1944; London Sketch Club 1940 (President)

references

Hardie (2009) Artists in Newlyn and West Cornwall p350

Johnson & Greutzner

 Peppin & Micklethwait (1983) Dictionary of British Book Illustrators

 Tovey Creating a Splash (Illus, self portrait)