Born in Birmingham on 27 June 1855, he was educated at Sedgley Park College (nr Wolverhampton) till he left at the age of 14: first apprenticed to John Hardman & Co - artworkers primarily in stained glass design. Very soon, he was executing most of the design for the firm and was responsible for windows in the north aisle of St Paul's and designs for St Mary's in Coventry.
Noticing William's great interest in painting, the company released him with regret (in 1880) and supported his further study by sending him to study painting in Antwerp under Verlat. From Antwerp he went on to Paris in 1881 where he remained absorbed until 1884. Returning to London, he shared a studio with his friends William Arthur BREAKSPEARE and Theresa Norah COPNALL, and after some months of casting around for new painting grounds, with encouragement from Walter LANGLEY, Edwin HARRIS and Theresa Norah COPNALL, he settled on Newlyn.
He is one of the painters in the 1884 Group Photograph of the 'brotherhood of the palette' at Newlyn. Here he painted Mackerel in the Bay, a large water colour, Ferdinand and Miranda (another watercolour, inspired by Shakespeare's The Tempest) and an oil portrait, The Burgomaster. He much enjoyed living and working in Newlyn, although the brightness of the sunlight directly affected his eyesight (causing increasing loss of sight in one eye), and having made his mark in the plein-air style, he discovered he preferred figure painting in his studio.
In 1886 he returned permanently to live in Birmingham. His mother, who had devotedly inspired him all his life, died in 1888, and he married in 1890, Bertha Mary Powell; eight children (two daughters who died young, and six sons) were born to them. He was one of the founding members of the Birmingham Art Circle, that group which laughingly claimed (perhaps rightly) that 'Birmingham had discovered Newlyn as a painterly place,' and their fortnightly meetings in each other's studios were a great source of friendship and inspiration. The Turner collation of letters, sketchbooks, coloured plates and essays, presents a life well spent in art. Wainwright died on 1 August, 1931, age 76 in Birmingham (GRO).
Painter in oils and watercolour, stained glass designer, teacher and writer
works and access
Works include: Painted posthumous portrait of David Cox for RWS
Access to works: Birmingham Art Gallery
Nottingham; RA from 1882; RWS; SS; RBSA; RWS 1893
ARWS 1883; RBSA 1884
misc further info
Bednar Every Corner was a Picture
Connoisseur LXXII 1925 p 70; LXXV 1926 p 60; LXXXVIII 1931 p 277(Obit)
The Edgbastonia 1891 January, Vol XI, No 116;
Hardie (2009) Artists in Newlyn and West Cornwall p290
R Langley & E Knowles (1997) Walter Langley
Langley R (2011) Walter Langley, From Birmingham to Newlyn Bristol: Sansom & Co. pp119-124 (col pl: The Pilot)
Newton et al Painting at the Edge
Notts Exhibition catalogue (See Hardie 2009 for repr);
Wood Victorian Painters
The Studio LXV 1915 p 201
Turner (1935) William J Wainwright RWS RBSA: A short account of his life and character (together with addresses given by him on various occasions, including his lecture on 'The Art of Walter Langley' (Illustrated in colour & b&w)