Born in Austria, she studied art under Lindenschmidt in Munich, and won prize money there that enabled her to travel and study in France with Courtois, Colin and Dagnan-Bouveret. At the Atelier Colarossi in 1881 with Helene SCHJERFBECK, the two friends sought out the right places for 'plein air' social realism, and were attracted to Pont Aven in 1883. Marianne met Adrian STOKES there and married him the following year. Later Schjerfbeck would also follow the Stokes pair to St Ives. In 1891, while staying with the Westlakes at Tregerthen Cottage, Zennor, another guest was the great women's rights campaigner, Millicent G Fawcett, who was visiting from Aldeburgh, Suffolk.
Later, when the Stokes' moved on to London (after 1898), Marianne Stokes gave Alice WESTLAKE's London address for many years as her contact for submissions. Her portrait of John Westlake is in the National Portrait Gallery. Candlemas Day (1901) was purchased by the Chantrey Bequest for the nation in 1977. A tapestry, Honour the Women, is in Manchester. Along with Elizabeth Armstrong FORBES, Marianne Stokes was considered in the first line of women painters in England by the turn of the 19th century, and according to Sparrow 'has worked of late in that most stern and stubborn medium, tempera, and small things of hers in various exhibitions attract one always with the desire to know more of her most attractive work.'
The painting lives of Marianne and Adrian Stokes are fully explored in the 2009 publication, Utmost Fidelity, which appeared with the major retrospective of their work mounted simultaneously by Penlee House Gallery, Penzance, and the Royal Cornwall Museum, Truro in that year, within a national touring programme. Magdalen Evans, the author and a descendant of Adrian, presented an illustrated lecture on 'The Portraits of and by Marianne & Adrian Stokes' at the National Portrait Gallery in February, 2010.
Floating German Dock in Falmouth Docks and two other oil paintings by this artist form part of the collection of the National Maritime Museum in Falmouth.
Hugh Stoneman was born in London and studied painting at Camberwell School of Art, and etching at W Hayter's Paris Studio, Atelier 17. In 1972 he set up the Islington Studio, followed by the Print Centre in Earlham Street (1979) and then due to Covent Garden re-development, returned to Islington at Barnsberry Street (1988).
Stoneman and his wife Linda moved their printing works to West Cornwall in 1995, and set up his working studio at their Madron farm, near Penzance. In the ten years that he unknowingly had remaining to him, his output was extraordinary, and the artists gathered around him, some following him from London and previous commissions, others local to Cornwall, excited to have professional facility of the highest standard on their doorsteps. All were interested in the power of the contemporary print to introduce and sustain a modern environment, whether commercial or domestic. His devotion to purpose, and passion for the medium of the print, with accuracy and flair, are qualities for which he is remembered.
In 2008 the Tate St Ives Gallery honoured his career with a retrospective exhibition and accompanying catalogue, Hugh Stoneman: Master Printer. From that publication, the true extent of his portfolio can be surveyed, and includes many of the most prominent of contemporary artists, past and present, Eileen COOPER, Ian McKEEVER, Patrick HERON, Breon O'CASEY, Tony O'MALLEY, Bob LAW, Karl WESCHKE to name but a few. Continuing their joint work to the present day, his wife Linda has established Stoneman Graphics, a contemporary arts gallery in Chapel Street, Penzance.
Andrew Stonyer gained the first PhD for studio-based research in the UK, at Leicester Polytechnic with the Slade School of Fine Art. He has taught in Turkey, Holland, Canada and the United States, as well as Falmouth College of Art. Concurrent to 2000, he was Professor of Fine Art at Cheltenham & Gloucester College of Higher Education.
Movement is the central theme of his work though he also produces static pieces. A major commission was completed for the Newcastle Metro, that was exhibited as Pulse in 2000 at Falmouth Art Gallery.
From the Cornwall Contemporary catalogue (2011): 'Dorset born Simon Stooks trained at Shelley Park School in Bournemouth (1989-1991) and graduated from Falmouth School of Art in 1994 with a BA Honours in Fine Art. He moved to the South of France in 2009 but frequently visits Cornwall where most of his painting inspiration lies. The majority of his landscapes are painted on visits to St Ives and around the coast of West Cornwall. He has work in many private collections both at home and abroad, as well as work in public collections...'
Mary Stork was born in Portsmouth, and studied at the West of England College, where her primary tutor was Paul FEILER. She studied further at the Slade School of Art, London, where she won major awards, and her paintings were toured with the Arts Council Young Contemporaries. At the Slade she met and married the West Cornwall artist Jeremy Le GRICE, and they returned to the county to live at St Just.
Here in Cornwall she met Karl WESCHKE who she credited with great influence on her work, and in 1966 the Hiltons arrived nearby. Mary and Rose HILTON became the closest of friends. Both of them abandoned art in the face of family responsibilities for many years. When Mary remarried after the break-up of her first marriage, she brought up her family in nearby Porthleven.
In 1982 she re-started painting professionally, and showing her work in small galleries including the Rainyday Gallery in Penzance. Mary became a member of the Penwith Society of Arts and also of the NSA. Meantime, she returned to live in St Just when her second husband died. Finally she moved into Penzance, living in the town centre and continuing to produce a steady stream of distinctive work, mainly mixed media (watercolour and charcoal) figurative pieces, much collected.
STOX is a painter whose first chosen career was as a practising architect and designer. He now lives in the house in the Lamorna Valley once inhabited by John TUNNARD.
Volker is a member of the NSA, and his digital print Chimera Six, was chosen to illustrate the exhibition poster for the NSA show, 'Uncharted Landscapes' held at the Mariners' Chapel Gallery, St Ives (Aug-Sep 2011).
Strang works from his home studio at Gulval near Penzance, and is a prolific landscape and floral painter and exhibitor. His paintings, St Ives Storm (c1992-97) and Towards Penzance, Twilight Mount's Bay 18 October, 1997, are both in the Penlee House Collection, Penzance. His paintings are often large, with paint thickly laid.
Since living in West Cornwall he has exhibited widely and has many paintings in private and public collections. His most recent solo exhibitions have been held in Fowey at The Cry of the Gull Galleries and at the Falmouth Art Centre, amongst many mixed exhibitions around Cornwall, and London, Wales and the USA. Three of his paintings are held in the permanent collection of the Cornwall Council (Education).
Scottish painter and printmaker who became the student of and then an assistant to Alphonse Legros. Locally he was noticed by Whybrow in her artists' list of 1901-10, of those who visited St Ives.
Falmouth Art Gallery include his portrait of Dr Warre-Cornish (1839-1916), Vice Provost of Eton College in their permanent collection.