An artist of this name exhibited in Penzance in June 1996 at The Bakehouse Gallery in Penzance.
A correspondent (2016) who knew Mary Ball when she was living in Greenwich, London, in the 1970s, has provided further information on this artist. She moved to Cornwall in 1994, making her home initially in Newlyn and subsequently settling in Penzance, where she died. The Bakehouse Gallery exhibition catalogue is entitled 'Mary Ball - Recent Textiles' and states: 'This work is to do with time and chance and change. It is in process of becoming. It takes ideas from landscape.'
The correspondent describes Mary Ball as a pioneer in her field, who often felt alone and an outsider.
Sarah Ball was born in Rotherham, South Yorkshire and studied Illustration at Newport Art College. Subsequently she obtained a Master of Fine Arts from Bath Spa University. She spent several years working as an illustrator whose clients included the Royal National Theatre. She moved to Wales in 1996 but currently (2017) lives near Penzance.
Ball's work concerns the visual language of the storyteller. Her sources include museum curios, Victorian taxidermy, studio and police photography. The sources are re-cast, creating new characters in imagined scenarios.
She has won a number of awards, including the 'Best from Wales' winner of the National Open Art Competition in 2012, and the Welsh Artist of the Year in 2013. She was shortlisted for the Threadneedle Prize ini 2015.
Her work has been exhibited widely, not only in the UK, but also in the USA.
Born in Birmingham, her father was Dr J D Ballance. She studied at the Slade and in Paris. The family moved to St Ives just before WWI, and she was exhibiting at Show Days in St Ives by 1919. Her address in St Ives in 1925 was 1 Albany Terrace, from which she submitted two paintings, L'Epousee and Le soir to the Paris Salons.
She, like her brother Percy BALLANCE, worked from 1 Piazza Studios, and she continued to play a part in West Cornwall (St Ives) arts activities until well into the 1960s. Nevertheless, she also exhibited at NAG. J&G give sending-in addresses for her in Petersfield, Hampshire (1928) and Cheltenham (1929). Her close friend and companion was the artist Louisa Margaret LARKING. She was also a Justice of the Peace (JP).
Born in Birmingham, his father was Dr J D Ballance and he was the brother of Marjorie Heudebourck BALLANCE. Educated at Gresham School, Holt, Norfolk, he studied art at the Slade School.
In St Ives he lived at 'The Croft', Carbis Bay, and worked from 1 Piazza Studios. At the St Ives Show Day of 1924 he displayed three paintings: one of a rough sea, another of Dordrecht, and a smaller one of Godrevy and the Towans lit up by the after-glow.
In 1925-6 his address was at Bellyars Lane, St Ives. Later he moved to Gloucestershire (1927) and Wells, Somerset (1932).
Jilly Ballantyne was born in Scotland and graduated from Gray's School of Art in 1989. In 1994 she moved to the Cote d'Azur, where she painted and taught art, hosting summer painting holidays at Matisse's former villa. It was here that she took part in the BBC Modern Masters TV series, with Alistair Sooke.
Ballantyne now lives in Cornwall, with a studio in Truro. She teaches art all over Cornwall, including hosting art weekends at the Hotel Tresanton in St Mawes. Her work has been exhibited widely in Cornwall, London and France.
Born in London, the artist studied at the Chelsea School of Art in the early 1980s before continuing her studies at the Bath Academy of Art, Corsham. In 1983 on a Gane Trust Travel Scholarship for sculpture, she went to Carrara, Italy, and in 1986 she took up a student internship at the Peggy Guggenheim Museum & Gallery in Venice. Her work is concerned primarily with the interrelationship of two- and three-dimensional forms and their expression in art.
On returning to Britain, Ballard set up her studio in Scotland, remaining there for five years prior to moving to Penzance. 1991 marked the start of a long association with the London gallery England & Co. where her work was exhibited in a number of group and solo shows. Her work has also been seen at the Royal Academy Summer Show, Cadogan Contemporary, and a series of London Art Fairs. In Autumn of 2013 two of her canvases were selected by Liz Anderson, art editor of 'The Spectator', for inclusion in 'The Discerning Eye' at the Mall Galleries.
While her influences acknowledge respect for the Cornish modernist tradition of Naum GABO, Peter LANYON and John WELLS, Ballard's art practice continues to evolve in accordance with her own personal vision. In 2010 she exhibited at the Pallant House Gallery, Chichester, with a tribute exhibition to the work of John TUNNARD. Her first solo show in Cornwall opened in December 2013 at Truro's Lemon Street Gallery.
Ballinger was born and raised in Gloucestershire, where he trained first as a draughtsman and engineer at Gloucester College, before taking classes at the Stroud School of Art. In Gloucestershire he was an art projects teacher and also a founder member of the Co-Optic Studios near Stroud. In 1999 he came to live in Cornwall, since which time he has exhibited widely in the USA and London, at RA Summer Exhibitions and with the NSA locally, of which Society he is an elected member.
Richard lives in Mousehole, and in 2010 he was an art tutor on a Baltic cruise ship with colleague Jesse Leroy SMITH. The tutorial assignment enabled visits to northern museums and galleries along the way, notably in Oslo where he viewed Munch's recently returned The Scream.
His exhibition, 'The Man Who Fell to Earth', was on show on the Ramp Wall of The Exchange, Penzance until 31 December, 2010. His work, Improvisation, is mentioned in Ruhrmund's review of the 2011 NSA show, 'Uncharted Landscapes', at the Mariners Chapel, St Ives.
Two of Ballinger's constructions were due to be installed at Goonhilly Earth Station in 2016.
Born in Huddersfield, the artist studied at Royal College of Art and Julian's Academy in Paris. His address in 1917 is given as Gt Eccleston near Garstang.
He was living at Meadow House, St Ives when he exhibited Boats at Anchor, St Ives at the RA in 1924. Originally he had been an architect, and was proficient on the violin and viola. In the late 1920s he moved to Lancashire to become Headmaster of Morecambe School of Art. By 1938 he was living in Blackpool.
Bamber exhibited a painting at Newlyn Art Gallery in 1926, and simultaneously was listed solely as 'Bamber' in the pupil list of the FORBES SCHOOL. In 1937, after a gap of eleven years, another entry at NAG, Kynance Cove, was shown for the artist. An undated painting of Cornish Cliffs (oil on canvas) is part of the collection of the Royal Cornwall Museum, Truro.
Recorded in the Cornishman in 1943 as a Marazion (Cornwall) artist exhibiting in Canada.
Ginnie Bamford has been a long time potter working from the Sloop Craft Market in St Ives, producing beautiful, simple tableware, hand turned and decorated in quiet, floral designs. Though working and exhibiting from her Pottery workshop until retirement in 2004, her commissioned work has meant travelling around Cornwall for exhibition and display in museums and galleries. Her table settings have been used for museum purposes such as the dining room at Pendennis Castle, and in National Trust Properties. Simone Slater took over her workshop in 2005, selling a variety of ceramics and some jewellery.
In Truro in the 1980s and '90s she was part of the exhibition and sales group of the Guild of Ten craft workers. She married in the late '80s and is now known as Ginnie Harrison. At that point her pottery mark changed. (Digital Museum of Cornish Ceramics)
Rose Bamford is based in Bude, north Cornwall. The subjects of her oil paintings include landscapes, birds, fish and boats.
A painter of landscapes, of Heanor, Nottinghamshire in 1921 (J&G), the coastal painting of St Michael's Mount, dated 1921, indicates that he was working in the area at this time, or shortly before.
Bampfield was born in Kidderminster. Circumstances prevented him from gaining an art school education and he entered the local carpet industry. In 1966 he moved, first to London and soon after to Cornwall, making his home on the north coast. Fascinated by the sea, he began to develop his natural artistic ability and rapidly built up a considerable reputation. He has exhibited at the Camel Valley Gallery in Wadebridge.
In 1997, Serena Banham paid homage to her native home with an exhibition entitled 'Land's End: A Collection of Landscapes', shown in London at The Gallery, Portobello Road.
Her work was shown in a solo exhibition in November 2001 at the Royal Cornwall Museum, Truro.
The National Maritime Museum of Cornwall at Falmouth gave Banham their first commission to photograph and exhibit her photographs. 'The Sea' was executed during 2003-4.
The essence of Claire Banks' painting is colour and energy inspired by many sources including her travels.
Name referred by Great Atlantic Map Works, St Just, as a painter-artist who exhibits with them. She was an Artist in Residence at Cape Cornwall over the years 2002-9, and now lives in Hereford.
Born in Nova Scotia of British parentage, she was the daughter of the Governor General of the province, A G Jones. She studied painting with Forshaw Day before marrying the landscape painter Hamlet BANNERMAN and coming to Europe with him. By 1891 they were living at Holbein, Alexandra Road, Penzance. She exhibited at both the RA and the RBA.
Her titles include Grandmother's Treasures (1891) and Edge of the Woods, both of which may have been painted in West Cornwall. Later she is reported as living in Great Marlow and in London, where she died.
Born in Marylebone, London, the 1891 Census lists him as an Artist Painter living in Penzance. Benezit notices only his work prior to this move to Cornwall, giving dates of fl 1879-81. By 1890 Bannerman and his wife were living in Great Marlow, Buckinghamshire. His style of social realism fitted well into the Newlyn style of story-telling paintings.
An oil painting of The Cathedral, Truro, executed in 1996, by this artist, is part of the collection housed by the Royal Cornwall Museum, Truro.
Born in Leicester, the artist is known to have worked in Birmingham and later in Chelsea, London. A Newlyn subject is found, dated 1884, by Bednar. Barber died in London on the 12 June, 1892, age 56 (GRO). His exhibition dates were given as 1880-89 (Graves). Tovey reports two of his paintings to be of St Ives subjects in his Study Day Notes (2006).
Portrait of a Boy (after John Opie) by Barber is part of the art collection at the Lawrence House Museum, Launceston.
He is listed as an Artist subscriber at NAG in 1920. No further information currently available.
Born in Edinburgh, he began work as an engraver, then became a student at the Royal Scottish Academy Schools in 1908, winning the Guthrie award (c1911) and a Carnegie Travelling Scholarship.
Barclay moved to Cornwall in 1935, living at Zennor, and was known for his decorative and mural paintings. "A sincere impressionist", French Impressionism was a great influence on him. He was a versatile artist, also producing woodcuts and book illustrations, and his work included landscapes, London parks, Cornish harbour and moor scenes.
Barclay rejoined STISA after WWII and was elected to its Council, becoming the Secretary in 1959 and retiring shortly before his death. When assisting Fuller at the St Ives School of Painting, he proved to be a kind critic and encouraging to newcomers.
Rachel Barclay was born in Falmouth and is known to have resided at Carenver, Stracey Road, Falmouth, in 1901. Earlier addresses include Helston, Carwinnion Cottage in Mawnan Smith, and Bideford (Devon). She had two sisters, Georgina and Isabella, the latter having been an art student.
Rachel first identified as an artist while staying in St Ives in 1911, and exhibited from then until 1916. She is known to have shown 98 paintings of gardens and landscapes at the Walker's Gallery, London.
According to the Falmouth Packet & Cornwall Advertiser, and the Royal Cornwall Gazette in September 1888, Rachel Barclay's ornamental flower designs were shown at the Royal Cornwall Polytechnic Society. She was also an accomplished needlework embroiderer, and her name is recorded in the Cornish Telegraph of September 1908 as having exhibited at the Royal Cornwall Polytechnic Society in Camborne.
The Barclay Home and School for Blind and Partially Sighted Girls was founded in Brighton in 1893 by Gertrude Campion, to provide industrial training for blind women. By 1905, there were nearly 40 residents.
The Barclay Workshops for Blind Women, a weaving industry, began in 1905 in premises in Praed St London in order to give employment to women trained in the Barclay Home in Brighton who wished to live in London. The Workshops occupied a number of premises before moving to 19-21 Crawford St in 1919. The Barclay Workshop was taken over by the London Association for the Blind in 1941. It is not known why or how these weavers came to be showing their work in Cornwall, or in what connection with the Newlyn Art Gallery.
Joseph Bard was an expatriate Hungarian writer known for a novel Shipwreck in Europe (1928) and short stories written in English, and as a literary editor. He settled in the United Kingdom where he was later known as Joseph Bard. His background was Jewish and Croatian. He was married to Dorothy Thompson from 1922 to 1927, and later married Eileen AGAR in 1940.
He was a friend and supporter of Ezra Pound, with whom he corresponded when Pound was confined to hospital. Recorded as staying at Lamb Creek, The Fal in 1937 in Surrealists in Cornwall (1937): gathered together were Roland PENROSE, Eileen AGAR & Joseph Bard, NUSCH & Paul ELUARD (whose wife Gala became the muse of Dali), Max ERNST and Lee MILLER (the photographer), Ady FIDELIN, Man RAY, Leonora CARRINGTON, and E L T MESENS.
West Penwith subject. No further information available at present.