Born in Cambridge (22 February, 1858), the artist attended Westminster School, then studied art at South Kensington and at Anwerp with Charles Verlat (1879). In 1880 he travelled to Burma where his father was Bishop of Rangoon, and produced highly finished, intricate works with (for him) a new set of colour values. Next he studied at Julian's in Paris, under Boulanger and Lefebvre, and went on to the new Herkomer's at Bushey, staying for the full two years. The social-realism of his later work indicates Herkomer's great influence. In 1887, he settled in St Ives, his reputation building from Primitive Methodists at Prayer, St Ives exhibited at the RA (1889), on a theme of the importance of religion to the lives of fisherfolk, to which he returned again and again.
In 1891, the Census records show that he was lodging with the Hosking family at Trenwith House, Halsetown (and also erroneously that he was born in London). He married a fellow artist, Jessie Morison in 1892 (St Ives Marriage Register, 4 Feb 1892 by Banns), and their children, Frank and Loveday, were born in 1898 and 1900 respectively. In 1898 he was one of the signatories for the Glanville letter, expressing concern about proposed building developments for St Ives.
Both he and his wife Jessie exhibited a painting each in the Whitechapel Exhibition of 1902. Believing German education to be superior at that time, they moved to Dusseldorf in 1905 but with the rise of nationalism there they returned to Bristol in 1909. His final major oil, a commission, was John Wesley preaching to the Mayor and Corporation of Bristol 16 March 1788 that was exhibited at the RA in 1918. During the 1920s the Titcombs travelled extensively throughout Europe, with several extended stays in Venice, he working in watercolours and selling wherever they went. On return, he staged an exhibition of 89 watercolours at Walker's Gallery in New Bond Street (1925) which was well received and visited by the Queen. With William's health declining they moved first to Menton but returned finally to Bristol where he died, on 7th September 1930. He was a humble man, not interested in self-promotion or art politics, and he not only worked abroad a great deal, but kept out of the public gaze. David Tovey's outstanding historical work on the St Ives painters and their lives has done much to bring about a renewed appreciation for Titcomb's talents.
works and access
Works include: Primitive Methodists at Prayer, St Ives (1889); John Wesley preaching to the Mayor and Corporation of Bristol 16 March 1788 (c1918); Armistice Day (1919); Memories (1920)
Access: Bristol; Cheltenham; Doncaster; Nottingham (City); Oldham; Shetland (Kelham); V&A// Santiago, Chile; Toronto
In Cornwall: The Connoisseur (c1918) at RCM, Truro
Newlyn March 1889; Lanham's Aug 1889; Dowdeswell (2); Notts Castle; Paris Salon (Bronze medal 1890); Whitechapel (5); RA 1918, May 1920; Royal West of England Society October 1919; City of Hull Art Gallery Spring Exhibition March 1924; Cheltenham 1925; Lanham's Exhibition of St Ives artists February 1920
STIAC 1898; RBA; RWA; Cheltenham
St Ives Times, 20 Feb 1920, 14 May 1920, 14 Mar 1924
Dowdeswell Exh Cat (see Hardie 2009 for repr)
Glanville letter signatory (Nov 1898)
Hardie (2009) Artists in Newlyn & West Cornwall p349
Johnson & Greutzner
Newton et al Painting at the Edge (Illus)
Notts Exh Cat; Whitechapel Exh Cat (see Hardie 2009 for reprints)
Public Catalogue Foundation (2007) Cornwall & Isles of Scilly: Oil Paintings in Public Ownership;
Whybrow St Ives
C Wood Victorian Painters (Bibl)
Personal bibliography: The Graphic (19 Dec 1885); Tovey (1985) W H Y Titcomb: Artist of Many Parts Bushey: Museum Trust & the author; (2003); W H Y Titcomb: A Newlyner from St Ives 1858-1908 Book 1 of 2 in set Tewkesbury: Wilson Books [Full bibliography & exhibition lists]