Ros Williams was born in Oldbury, Worcestershire, the fourth child (of 5) of Arthur and Rosaline (nee Neale) Williams. She dropped out of a degree course in librarianship to study art at Bournville School of Art, Birmingham from 1981-3, before moving to Cornwall where she graduated from Falmouth School of Art with a BA Hons Fine Art in Printmaking (1986). The following year she worked for the Cornwall Trust for Nature Conservation, the nature painter Andrew WADDINGTON being one of her co-workers.
She began to show her work in group shows in the UK and abroad, living on a boat on the coast of Cornwall from 1988-1995, and sharing studios with painters Judy ANDERSON and Stephanie BOON. Ros's children were born in Cornwall and home educated.
In 1997 she moved to the Isle of Wight, and was active with the Steve Ross Foundation for the Arts, teaching non-toxic printmaking and book arts to adults and children. She initiated Open Access Printmaking. By 2008 she had returned to Cornwall, working from Krowji, The Old Grammar School, Redruth and in Penwith. She received Arts Council Awards for her work in 2004 and in 2008.
In 2012 she is partnering the artist Peter FOX in creating a 'pop up' gallery, currently located at Trevelyan House, 16 Chapel Street, Penzance, where they are showing their own work and the artwork of associates, and holding bookarts workshops for pupils of all ages. Together with the Hypatia Trust they will provide temporary exhibition space for artists who specialise in 'outsider art' and who may find difficulty in taking space in the relatively closed circle of contemporary and public galleries. The gallery will have an on-line presence as well, and may 'pop-up' near you at any time.
Amanda Williams Lucas was born in Wales. She studied initially at Wrexham College of Art, then became a student at Falmouth College of Arts (now University College Falmouth) where she subsequently lectured part-time.
She seeks to express a fascination for theoretical physics in visual form. Some of her work is inspired by Rorschach images.The artist has exhibited widely in Cornwall and beyond. Group shows include the London Art Fair. Her work is held in private collections in Europe and Canada.
Association with Falmouth, one painting of his, A Shipping Scene, featuring in the Falmouth Art Gallery collection.
Born in Whitstable, Kent, Willow took a Fine Art degree at the Falmouth College of Art. In Cornwall she has shown her work in a number of installation exhibitions with PALP (Penwith Artist-Led Projects) and others.
Willow is a tutor at Newlyn School of Art (2016).
Mr Wills, of the company WILLS Bros of London, lived at The Willows, Cornwall Terrace. He was the sculptor responsible for executing the statue of Humphry Davy in Market Jew Street, Penzance, and he died in the town.
Three paintings by this artist, are in the art collection held by the West Cornwall Hospital, Penzance.
Barbara Wills was born in Sheffield and at age 16, with the early encourage of her grandfather, who also painted, entered the Sheffield College of Art. From there she went on two years later to the Royal College of Art which continued its classes during WWII at Ambleside in Cumbria.
With her diploma she taught art in schools in Dolgellau, Dagenham, and Basingstoke. At the latter she was to meet her future husband, Edward. During the 1950s and '60s she exhibited her paintings locally and also at the RA, before the couple moved to Cornwall to live at St Hilary, where Edward's family had lived for several generations.
In Cornwall Barbara became a loyal member of the NSA, holding her first solo exhibition in 1971 at the Newlyn Art Gallery.
Her obituary in the Cornishman (19 September 2013) concludes with the following:
'As well as gaining a reputation and following for her paintings - in which she captured a strong sense of the mood and movement of the moment - she also found the time, energy and enthusiasm to teach small groups of children in her studio and also to start and tutor for 22 years in Painting for Pleasure classes at Rosudgeon.'
Nigel Wills was born in Falmouth and the sea has been a formative influence in his life. He left school at 14 and after serving an apprenticeship at a local garage firm, he became a welder, working at Falmouth Docks and then at Compair Holmans in Camborne. Since 2011 he has begun to use his skills to create sculptures in steel of marine creatures. Each piece has its own individuality and character and is heat tempered to create a wonderful iridescent green-blue colour.
The son of Frederick J Wilmer, chemist and druggist of Wilmer & Co of Falmouth, four paintings by this artist were exhibited at the 150th Anniversary Exhibition at the RCPS in Falmouth (1983). He is credited with a triptych in the Warrior Chapel of Falmouth Parish church. In September 1900 he exhibited at the RCPS, and in 1906 Lake's Directory lists him as an artist living at 2 Park Crescent. Later he lived at Pennance Road, also in Falmouth.
Born in Lea Hall (Birmingham), the artist's initial sending-in address was in Birmingham, where she also exhibited with some frequency. From an address in Gloucester the artist exhibited Newlyn Harbour in 1904 at the RA. By 1910 she had returned to Birmingham and was again exhibiting there, though this was her last entry in The Year's Art.
The co-founder of the Lamorna Pottery, alongside CHRISTOPHER JAMES LUDLOW.
After the end of World War II, Derrick Wilshaw and Ludlow met as fellow-students at a pottery in Stoke-on-Trent. In 1947 Ludlow returned to Penzance and came across the old milk factory in Lamorna, which he and Wilshaw converted to a pottery in order to set up in business together.
Ludlow was not commercially minded and struggled with his mental health, so the joint venture was not an unqualified success. In 1952 Wilshaw married Lilian Reynolds, a Helston girl. He found the pottery and its surroundings claustrophobic. In 1956, after the tragic drowning of their son, he left Lamorna for Falmouth, where he became a well-regarded lecturer in ceramics.
In an interview for a book on sculptors by Marion Whybrow, he commented: 'Clay has a skin-like quality that is important because I like a figurative element in my work. At some point it ceases to be clay and takes on a character and personality that you endow it with...What is important for me is the historical connection, a progression of development of forms, one relating to another. You can have a conversation through the work, making a spiritual contact and something visual between yourself and the material you are manipulating.'
Bernice Wilson is a portrait painter who lives in Menherion near Redruth.
in 2003 Jonathan Wilson graduated from Falmouth College of Art. In recent years he has been able to devote more time to his fantasy-themed paintings.
Recorded as a new member of STISA in 1933 but had died by 26th January 1934.
Carys Wilson lives in Penzance. She has a BA (Hons) in Fine Art from Kent Institute of Art & Design, a PGCE from the University of Exeter, and a postgraduate diploma in Fine Art from Cyprus College of Art. Her work has been exhibited widely throughout the UK, and in Cyprus. Her teaching experience is wide-ranging and she conducts art workshops for adults and children, and for those with learning disabilities.
One of three sisters, all of whom studied under John Alfred Arnesby BROWN.
One of three sisters, all of whom studied under John Alfred Arnesby BROWN.
A pupil of the FORBES SCHOOL in 1908-9. She also contributed an essay, entitled 'Well Water' to The PAPER CHASE (Vol 1) that year.
Paintings by this artist are included in the portrait collection at Helston Folk Museum. The two that are illustrated in the Public Foundation Catalogue are : Reverend Dr John Stevenson, First Perpetual Curate of Cury and Gunwalloe (1838-1846) and one of his wife.
Emma Saffy Wilson works from Porthmeor Studios in St Ives. Her 'hybrid' sculptures are inspired by mould growth.
The artist was born in Nottinghamshire at Whitwell, and studied at the Sheffield School of Art. His specialty was rustic scenes, and his chosen titles match similar ones in the Newlyn oervre: The Farmer's Daughter, The Light of the Cottage, Gathering Blackberries and Beside the Sea (a view from Trewarventh Street, Newlyn), etc. In 1881 he was lodging in Chelsea and working as a artist/draughtsman. At the age of 45 he was boarding in the home of a railwayman in Witley, Surrey. His studio was at Godalming, Surrey.
[From Falmouth AG Exh Cat 2000] 'Vincent has been exhibiting his work in Cornwall since 1962, when he moved from the North Wales and Lancashire area. He exhibits regularly with the artists' societies to which he belongs. In 1995 he was elected a member of the Devon Guild of Craftsmen.
'Born in Mold, Clwyd, North Wales, he trained at Chester School of Art and Liverpool College of Art. He exhibited widely in Wales and was included in three Welsh Arts Council exhibitions from 1958-1981.'
In Cornwall he has shown in group shows of West Country artists in London, Sussex and South West Arts and in the South West Open exhibition at Plymouth (1990).
