An artist from Birmingham who painted views in Cornwall, Wales and Italy. R Langley accords him an honourable mention, though no great detail, due to the representative paintings of Cornwall he painted (p107).
He exhibited On the Sands, Mount's Bay at the Institute of Painters in Oil Colours in 1884-85.
The Royal Cornwall Hospital holds a painting in its permanent collection by this artist, Trevaunance Cove (1966).
Born in Exeter, Devon, Atkins studied at the Bromley College of Arts both before and after National Service in the 1950s. His initial great influence was Frank Auerbach, in whose studio he worked whilst also doing postgraduate studies at the Slade. Embarking on a teaching career at Bournemouth College of Art, he moved on to Reading University Dept of Fine Art and then to the Epsom School of Art.
He came to Cornwall through a teaching post at Falmouth College of Art in 1974, continuing to exhibit in many mixed shows. At the Piers Morris Gallery in 1970 he gave his first one-man exhibition, and from that time this became his main format. In 1977 Ray showed paintings and drawing in a three-man show at NAG, with John HENDERSON and Robert MORLEY, and that same year he exhibited with the NSA to which he had been elected, in their travelling exhibition to Pont-Aven in Brittany. He was also selected for the celebratory exhibition, A Century of Art in Cornwall 1889-1989 to honour the centenary of Cornwall County Council. in London, Art Space Gallery represents his work, and his exhibitions of note are listed on his website.
The artist came to Cornwall in 1974, and has lived in Falmouth and at Carn Marth. She studied at the Falmouth College of Art and has a degree in printmaking (1994). Since leaving college she has been working in drypoint etching. Atkins is a member of the NSA and has shown regularly in group shows and exhibitions around Cornwall.
Kathy Atkins' landscapes and still-lifes are inspired by the natural world.
A painter of seascapes and former member of Taking Space, a group of women artists exhibiting in Cornwall. Atkins is a member of Art Space Gallery, a co-operative group based in St Ives.
His early interest in art was developed through his interest in and collection of toys. Digby attended Lincoln College of Art with tutors: Tony Bartl, Bob Blatherwick & Hugh Robinson. He then attended Hornsey College of Art and benefited from the tutoring of Gordon House, Ron Ingles & Derek Nice. He was employed as an art assistant on the (then new) Telegraph Colour Supplement, working under the art director (who became a photographer), Hans Feurer. Together with Hans he began a further career in advertising.
Atkinson worked as an art director at Pritchard Wood & Partners, the first of six advertising agencies before joining Saatchi & Saatchi. After thirteen happy years with this company, and with a collection of industry awards, he spent a further seven years working with three other London agencies, before deciding to retire from full-time advertising.
Having discovered Cornwall (yes, people still do!), the Atkinsons moved to Cornwall, where Digby became a part-time tutor at University College Falmouth. This has returned him to painting, though he is still collecting toys.
Born on 9 July 1859 in Fakenham, Norfolk (GRO), and died at Royal Tunbridge Wells, Kent, she is shown as an prolific exhibitor between the years of 1884 and her death in 1916. Her addresses in this period include the following: Fakenham Rectory, Norfolk (1884), York (1889), Frensham, Surrey (1894) and London (1897). [J&G] It is clear that for some period between York and Surrey that Atkinson spent time in Cornwall.
In the 1890 Exhibition at Dowdeswells [reprinted in Hardie 2009] in New Bond Street, the artist exhibited alongside all those described as 'from St Ives, Newlyn and Falmouth residing in or painting in Cornwall'. Her exhibition title was In the Firelight.
A recent correspondent has written with the following information:
'I'm interested in finding out more about Amy Atkinson. so far I found almost
nothing! I discovered the book 'In The Abruzzi' several years back. It
contains 12 watercolours by her , see...
I've also got another book she did the illustrations for (Touraine, again
with Anne Macdonell) and one watercolour. But any information on the pair of
them is hard to come by!'
Hence, if any reader has further information about Amy Atkinson or Anne Macdonell, we would be grateful to receive it.
Administrator of The Contemporary Gallery, Penzance in 1996, at time of her exhibiting there. In 2011 she was listed as a regular exhibitor at the Lander Gallery, Truro.
Born in Brighton, he studied at Brighton Polytechnic (Art and Design) and West Sussex College (Stained Glass Design and Restoration)
Felix Attlee works with reclaimed metal to create bird-like sculptures which almost resemble historic artefacts. He is influenced by his African childhood, and his love of finding new life in discarded objects.
The artist moved to Fowey in 1945 and died in Cornwall in 1964.
She was born in London and studied art at the Regent Street Art School and at Heatherley's. She married a fellow book illustrator and watercolourist, Harold Earnshaw, in 1908 (who pre-deceased her by many years, c late 1920s). In WWI her husband lost an arm, and therefore the support for him and their three children fell upon her alone. The challenge was taken up in a most courageous fashion, and her name, like Beatrix Potter and Kate Greenaway, became synonymous with a certain view of childhood - in her case quite sentimental. Her drawings became the subject of greetings cards (R Tuck), children's books (some of which she also authored textually), and an Annual with stories and illustrations. She also illustrated works by the classic children's writers: Hans Anderson, Brothers Grimm, J M Barrie and Lewis Carroll.
Francesca Ausenda and her sister Alessandra AUSENDA are both successful designers.
In the 1990s they invented and manufactured one-piece hats/scarves called 'Rrappers' and opened a clothing and surfwear shop in Penzance called Groovy Poodle.
Creatively they work with schools and the educational projects promoted through NAG, and also contribute extensively to the feasts and festivals that are part of the cultural life of the area. Their parade floats and animated characters from Cornish legend are unforgettable and constant reminders of the energy of the arts community locally.
Francesca is a photographer, and in 1992, she and Steve TANNER exhibited their work together in Fish Seekers, Newlyn '91 at the Newlyn Art Gallery.
Don Austen was based around the St Austell/Charlestown area. An award is given by the St Austell Society of Artists (SASA) in Austen's name. The family of the artist now run the Charlestown Gallery.
Painter and art critic who settled in West Cornwall in 1959, and thereafter began to paint full-time.
By the 1970s he was beginning to write about art, and went on to becoming the New Statesman Arts critic. John MILLER mentions him, in his biography Leave Tomorrow Behind, as exhibiting at NAG in the 1960s, and in 1977 he exhibited with the Newlyn artists at Pont-Aven in their travelling show of Cornish work. He was also showing in London on a regular basis, and in 1992 exhibited with two other critics at Cadogan Contemporary. In 1995 he emigrated to Australia where he remains an art critic, residing in Sydney.
Born in Brighton, Sussex, Simon graduated with Honours from the Polytechnic there in Fine Art. From 1986-1990 he ran the Balwest Printmaking Workshop in Penzance, and then taught part-time at the Falmouth College of Art in drawing and printmaking. Averill has been a full member of the NSA since the late 1980s.
The artist remains listed as a member of NSA (2011).
Possibly M F or Margaret Jane AWDRY, recorded as exhibiting at the St Ives Show Day of 1911. No further detail.
Rachel Axtell has produced a large number of designs for greetings cards, sold mainly for charitable purposes to friends and family. These are also sold in Becky Biddles in Falmouth.
She also carries out commissioned artwork, such as for an Oxfordshire based charity, Oxfordshire Youth Association Project. Rachel has illustrated her own story called "Mr Monster and Alice Too".
David Axtell is an award winning illustrator. His illustrations for the Macmillan's children's book Fruits (Valerie Blooms' Caribbean poem) won the Smarties Book Prize Bronze Medal in 1997.
The Waterside Gallery, St Ives have have recently welcomed to the gallery the painter David Axtel. Born in Oxford in 1970 David completed an illustration course at Falmouth School of Art and began working freelance for several major publishing houses.
His work as an illustrator included work for clients such as Puffin Books, Macmillan, HarperCollins and Mojo magazine. He was twice a bronze medal winner in the Nestle Smarties Book Award and runner-up in the BFC Mother Goose Award in 1988 as the most exciting newcomer to children's picture books. David is still regularly commissioned for his illustration work.
As well as his illustrational work David has had a lifelong love of painting and now has an enviable reputation in Cornwall and beyond. With an interest in the relationship and interaction of people and the sea, David searches for an intriguing narative that pulls the viewer in and makes us feel we've caught a glimpse of his figures in an unguarded moment. In his calm, measured work we are reminded of the quiet solitude and an Edward Hopper, whilst the detailed narrative and love the landscape of Cornwall is reminiscient of the artists of the Newlyn School. [With thanks to the second Newsletter of the Waterside Gallery, St Ives, 2013]
Stephanie Axtell was born in Cornwall. She studied Illustration at Falmouth School of Art, graduating in 1993. She then spent 16 years as an illustrator, working mainly in watercolour. She collects vintage crockery which, together with old books, flowers and found treasures, provides the inspirational momentum for her paintings. She lives and works in north Cornwall. Stephanie's work haas been shown at New Craftsman Gallery, St Ives.
Writer on arts-related topics, founder-creator and coordinator of the St Ives Archive Trust, and long-time partner of artist John EMANUEL. Janet Axten has contributed strongly to movements that have added value and interest to the visitor and study experience of the arts and history of St Ives, and also has acted as personal assistant to several artists, including Patrick HERON and Bryan PEARCE.
Born in Middlesex, Ayling came to St Ives to paint in 1977, and moved to work in one of the Penwith Gallery studios a few years later. In Cornwall he has exhibited at the Wills Lane Gallery, St Ives, the Penwith Gallery and at NAG.
Her painting, Brown, White, Black, Red (oil on board) is in the collection of NAG, where Ayres also had a major solo show in 1984.
From the 1980s Ayres had a home in Wales, but later settled in Morwenstow, near Bude. She died in April 2018.
Originally from Buckinghamshire, he moved to Cornwall to study at the Falmouth College of Arts, graduating in 1994 with a BA(Hons) degree in fine art. In 1998 he was teaching art and design part-time at Cornwall College.
Forming part of the collection of the St Ives Town Council, six works by this artist depict village scenes around the town as previously known between 1880 and 1900. The artist painted this series oil on board in 1986, either from old prints or postcards, etc. The scenes shown are Harbour Front, The Wharf, St Ives 1880, Quay Street, St Ives 1900, St Ives Harbour Front, 1880, The Digey, St Ives 1880, The Wharf, St Ives 1986, and The Wharf 1880. [Enquiries about these to Penlee House Gallery & Museum]
In 1871 Babb, as professor of drawing/painting in Plymouth and Devonport, was living with his wife Mary H (from Sheerness, Kent) and son Ernest H (born in Devonport), in the Saltash, Cornwall parish at 6 Tamar Terrace. He was the Head Master of the School of Art, Princess Square, Plymouth, and of the Municipal School of Art, Devonport.
Born in Adelaide, Australia, his family then moved to New Zealand. He studied art at Wanganui Technical College, working there as a pupil teacher under the painter D E Hutton (1899-1904). In 1904 he travelled through Europe painting topographical and waterside subjects in oils and watercolour, studying both in London and at Julian's Academy in Paris, before returning to New Zealand in about 1909.
In St Ives he worked from Porthmeor Square studio. In 1913 he was to show Ebbing Tide and two others, one Cornish scene and one Dutch, at St Ives, and continued to exhibit locally throughout 1914. He was one of the four St Ives artists to lose their lives in WWI, dying aged 41 in Cardiff during service with the Home Guard. He is commemorated by Edmund George FULLER on the St Ives Arts Club Memorial, working to a design by painter friend Borlase SMART.